As evangelical Christians, we have tended to relegate art to the very fringe of life. The rest of human life we feel is more important. Despite our constant talk about the Lordship of Christ, we have narrowed its scope to a very small area of reality and have not appropriated the riches that the Bible gives us for ourselves, for our lives, and for our culture ... In fact, there is a very real sense in which the Christian life itself should be our greatest work of art.
"In all kinds of places, the parochial system is working remarkably. It's just that we are increasingly aware of the contexts where it simply isn't capable of making an impact, where something has to grow out of it or alongside it, not as a rival (why do we cast so much of our Christian life in terms of competition?) but as an attempt to answer questions that the parish system was never meant to answer. "At present, we stand at a watershed in the life of the Church of England - not primarily because of the controversies that have been racking us (much as they matter, much as they hurt) but because we have to ask whether we are capable of moving towards a more 'mixed economy' - recognising church where it appears and having the willingness and the skill to work with it."
Rowan Williams, Archbishop of Canterbury
Renewal begins on the fringe and then impacts the centre. The best renewal takes the form of an "innovative return to tradition". It's another way of saying it must be "engaged orthodoxy". That's how Jesus operated, and that's why both conservatives and radicals co-opt him. If we try and conserve our current expression of the faith, we will be irrelevant. If we move away from the historic Christian faith in the attempt to be relevant in form, we will lose everything. Creative tension is the only way forward. We must be distinct, yet engaged. It's the beautiful mystery of the Incarnation. Radically identified, radically distinct.